The lines between reality and fiction, and good and bad blur when both a nihilistic detective and a serial killer’s affairs with a mysterious girl overlap.

Childhood friends Tracy, Chloe and Alice share an apartment over the summer. They live close together, meet guys and sell their company as well as sex. With a romantic imagery and sometimes provocative theme the female debutant director Luk Yee-sum give the audience a playful story about sexuality, desire and friendship.

This is the story of a man’s bravery to cover the world at war, and what it takes to get images published for the world to see. This is Jason P. Howe’s story of survival and change.

Janie’s just trying to get well. As she recovers from a violent psychotic break, she’s subjected each day to a bizarre holistic health and wellness regimen designed, and enforced, by her lifelong nanny and caretaker. But when she develops an obsession with a stranger, Janie’s buried demons begin to surface.

The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”

LAPD K-9 officer Jake Rosser has just witnessed the shocking murder of his dedicated partner by a mysterious assailant. As he investigates the shooter’s identity, he uncovers a vast conspiracy that has a chokehold on the city in this thrilling journey through the tangled streets of Los Angeles and the corrupt bureaucracy of the LAPD.

The Story of Plastic is a seething expose uncovering the ugly truth behind the current global plastic pollution crisis. Striking footage shot over three continents illustrates the ongoing catastrophe: fields full of garbage, veritable mountains of trash; rivers and seas clogged with waste; and skies choked with the poisonous runoff from plastic production and recycling processes with no end in sight. Original animations, interviews with experts and activists, and never-before-filmed scenes reveal the disastrous consequences of the flood of plastic smothering ecosystems and poisoning communities around the world – and the global movement rising up in response.

The setting is Detroit in 1995. The city is divided by 8 Mile, a road that splits the town in half along racial lines. A young white rapper, Jimmy “B-Rabbit” Smith Jr. summons strength within himself to cross over these arbitrary boundaries to fulfill his dream of success in hip hop. With his pal Future and the three one third in place, all he has to do is not choke.

Lucy Chadman (Shelley Long) chokes to death and is resurrected by her loopy sister Zelda (Judith Ivey) on the one year anniversary of her death. Lucy, of course, does not believe she has actually been dead and thinks it is an elaborate hoax until she goes to her apartment and discovers her husband (Corbin Bernsen) married to her gold digging best friend, Kim (Sela Ward).

Major-league rookie pitcher Hopper Gibson has lost his focus. After choking on the mound, he’s sent down to the minors and prescribed sessions with an unorthodox sports therapist, who pushes him to uncover the origins of his anxiety.

Set in Hokkaido, Japan in the 1880s. Jubei Kamata (Ken Watanabe), who is on the side of the Edo shogunate government, kills many people. His name is infamous in Kyoto. When the battle at Goryoukaku is about to be finished, Jubei disappears. 10 years later, Jubei lives with his kid in relative peace. He is barely able to make a living. Protecting his dead wife’s grave, Jubei has decided to never pick up a sword again, but due to poverty he has no choice but to pick the sword again. Jubei becomes a bounty hunter.

When Fred gets out of prison, he decides to start over in Miami, where he starts a violent one-man crime wave. He soon meets up with amiable college student Susie. Opposing Fred is Sgt Hoke Moseley, a cop who is getting a bit old for the job, especially since the job of cop in 1980’s Miami is getting crazier all the time.

Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (​Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–​chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, ​Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre. ​

Recounts the dramatic story of the April 2013 terrorist attack at the Boston Marathon through the experiences of individuals whose lives were affected. Ranging from the events of the day to the death-penalty sentencing of Dzhokhar Tsarnaev, the film features surveillance footage, news clips, home movies and exclusive interviews with survivors and their families, as well as first responders, investigators, government officials and reporters from the Boston Globe, which won a Pulitzer Prize for its coverage of the bombing. In the wake of terrorism, a newlywed couple, a mother and daughter, and two brothers – all gravely injured by the blast – face the challenges of physical and emotional recovery as they and their families strive to reclaim their lives and communities.

Yuri leaves Ryo with mysterious words. Ryo goes to Hokkaido knowing that his doppelganger magician is missing. Ryo realizes Yuri was also the magician’s lover and he learns magic. The story that crosses over two identities, illusion and magic.

During the reign of the eighth shogun of the Tokugawa shogunate, the Yunagaya Domain in the Tohoku region is a small han. But at the han, there is a gold mine. Suddenly, Masaatsu Naito of Yunagaya Domain receives an order to perform Sankin-kotai within 5 days. Sankin-kotai is a custom that requires the daimyo to visit the shogun in Edo. Unfortunately, the time needed to visit the shogun in Edo for Masaatsu Naito is 8 days. Masaatsu Naito also learns he received the order because a high ranking government official wants the gold mine. Also, the expense for Sankin-kotai is high and the Yunagaya Domain is such a small han that it seems impossible to complete. Nevertheless, Masaatsu Naito begins an unexpected operation to complete Sankin-kotai in 5 days.

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.

Mie’s (Haru) father died during the aftermath of the 2011 Tōhoku earthquake and tsunami. One day, she finds a bundle of unsent New Year’s cards, which languished there for 28 years. To find out why the cards were never sent, Mie tracks down Haruhiko Sakacho (Kiichi Nakai). Haruhiko played on the same high school baseball team with her father. Mie eventually gathers together her father’s former teammates to play in the Masters Koshien (a senior league baseball tournament). Mie also uncovers a truth about her father and the baseball team.